The film revolves around the development of the women's movement. Actors come together on stage and debate topics such as feminism, sexuality, gender performances, power structures, and activism, commenting on their own words. The film also provides insights behind the scenes and creates a fluid transition between the past and the present.

This conversation explores the cinema approaches and thinking of film directors Agnes Varda and Susan Sontag, who were among the small group of artists represented in the prestigious seventh annual New York Film Festival (1969). Here they discuss their ideas and their films with Jack Kroll, senior editor at Newsweek magazine. Excerpts from both their films (Varda's Lions' love, and Sontag's Duet for cannibals) illustrate the conversation.

From a new beginning! Only after she has inherited the inheritance does Lisa realize that her deceased father's inn is heavily in debt. Her only way out: a holiday park, at whose investor she could sell the inn. But to build the park, he would also need the property of the stubborn pensioner Eleonore, who does not want to sell. Until Lisa discovers Eleonore's weakness for singer Nico Hölter and senses a chance to change her mind. The deal: Nico Hölter gives a concert to Eleonore in underwear, and she sells for that.

Suse works as a truck driver on a major construction site. The young woman has a hard life behind her. She was foundling, was raised by farmers. Manne, the father of her child, wanted to escape from the GDR and is in prison. After he is released, Manne wants to live again with Suse and their child together. But she rejects him as well as another worshiper. Suse is more interested in the Soviet engineer Boris, but apparently not for her, since he can never remember her at their chance encounters. But a much bigger problem - and a difficult one - is Suse, when she is offered to go to the Soviet Union for six months.

Follows a bedsit girl with a dark and damaging secret.

Susan Keane is a glamorous San Francisco magazine writer beginning to adjust to being single, who learns to be independent-minded, after being taken care of all her life.

A pregnant teen allows her mother to pass her secret baby off as her own.

A friendly waitress Susan works a double at an everyday Cape Town restaurant, deftly serving gluttons and wasps, hipsters and high-tippers, racists and lechers. With some effort she maintains both wit and service in the face of obnoxious customers--until a lousy tip gets the better of her. Told from the perspective of a single lazy susan (rotating tray), this is dark comedy and social commentary at its best.

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